*Wilco in a VW commercial.
*TV on the Radio as dramatic background music at the end of an episode of Grey’s Anatomy.
*The Shins as the centerpiece of an awful movie by Zack Braff. (There, I said it-I hated Garden State)
*Sonic Youth's approval of a celebrity compiled “Best Of,” to be sold exclusively at Starbucks.
Given the current state of the economy it could be argued that most musicians no longer have the option of turning down a paycheck for the sake of their ethics. For those of you who don’t bother to open a newspaper every now and again, the global economy is in shambles. Inflation is rising, wages have stagnated, and numerous industries are failing rapidly. And this directly affects how musicians are making decisions on allowing their music to be used in movies, television advertising and video games.
Moreover, due to a number of factors (less disposable income, online downloading, poor marketing), CD sales continue to decline. People are no longer buying music in the same quantities or in the same mediums as they used to. As a result, many artists have had to make some difficult decisions. The licensing of a song to a commercial may or may not generate album sales, but those residual checks are guaranteed.
Part 1: The Ethics of Selling Out. Why Punk Rock No Longer Applies to Generation Y.
Tuesday, July 15, 2008
Thursday, May 15, 2008
"Internationally known: Mel-1 and PK The Mixtape Maniacs"
Who we?
We’re both are O.G. New Yorkers by birth (Him-Harlem World, Her-Shaolin)
We both possess MA’s from overpriced private universities.
We both know what goes down in la banlieue
We are both are the oldest of four children.
We know all about the CRS and the Guardia Civil.
It’s pretty apparent that Mel-1 and myself live parallel lives. When we found out that we had both delivered very important mix tapes to people within one month of each other, we were like “Oh, word?” So in celebration of our efforts, we’ve decided to dissect and discuss each other’s mixes in a joint blog entry. Run on over to Melissa's blog, Public Witness Program, to read her thoughts on my mix.
...now, without further ado, an analysis of "Use With Caution" (May 2008)
Name of Mix: “Use with Caution”
Author: Melissa B. Friedman aka Mel-1
Nature of Origin: “Trying to impress someone. Cool, I know...”
Length: “56 minutes and some odd seconds if I remember correctly”
Most difficult challenge during compilation:
“It was hard for me to decide on the general mood I wanted to convey. I also had some difficulty in deciding the order of the last few songs. I felt like the mix CD turned into Lost in Translation Part II thus I tried hard to avoid duplicating an oeuvre that more or less already exists.”
Two favorite tracks:
“Tout n'est pas si facile” -NTM
“Windowlicker (demo)” - Aphex Twin
Full Tracklisting:
1. Machine Gun - Portishead
2. 5:55 (The Black Ghosts Remix) - Charlotte Gainsbourg
3. The Guns of Brixton - The Clash
4. Tout n'est pas si facile - NTM
5. Requiem pour un con - Serge Gainsbourg
6. Sexual Sportswear - Sebastian Tellier
7. Windowlicker (Original Demo) - Aphex Twin
8. Knife - Grizzly Bear
9. Sometimes - My Bloody Valentine
10. Ceremony (New Order cover) - Radiohead
11. After Class - Deer Hunter
12. Just Like Honey - The Jesus & Mary Chain
Colonel K's thoughts:
As long as I’ve known her, Melissa’s always had the most amazing taste in music. From her collection of obnoxious punk 7-inches back in high school (e.g. “John Wayne Was a Nazi” by MDC) to her more recent appreciation of all things French, it’s always been “class” with Mel-1. So when she told me was trying to impress someone, I just shrugged my shoulders and said “Well that shouldn’t be too difficult.” But I quickly realized that it was flippant for me to say that. Apparently the girl was really breaking a sweat over making this mix flow just right. The night before it was due, I received a frantic text that read “Should I put Fugazi on this Mix? I’m being so neurotic about impressing him.”
Having only seen the tracklisting, I can already tell that this compilation is dope. The main reason is the leadoff song, Portishead’s “Machine Gun.” I’d wanted to put this on a mix I made a few weeks ago, but I ended up cutting it because it was too jarring. I also like the fact that the first half of this mix is so menacing. The aforementioned “Machine Gun”, “Guns of Brixton”, and “Requiem Pour Un Con”, all these songs are badass.
The second half, on the other hand, is much more ethereal and kinda sweet. The sorta stuff that you’d want to listen to on a cloudy spring afternoon. And yes, I know that “Sometimes” and “Just Like Honey” were used poignantly in Lost in Translation. But just because a song was used in a Sophia Coppolla movie doesn’t make it any less beautiful.
Oh, word. Bonus points for including the demo version of “Windowlicker” and Radiohead’s cover of “Ceremony”: as much as I enjoy the originals, it shows a lot more depth to use a really good cover OR an alternate version of a well known track.
If I were the guy who received this CD, I’d probably be speechless. I mean, yeah, there are plenty of real chill girls who like good music. But it takes just as much thoughtfulness and talent to take those songs and sequence them.
We’re both are O.G. New Yorkers by birth (Him-Harlem World, Her-Shaolin)
We both possess MA’s from overpriced private universities.
We both know what goes down in la banlieue
We are both are the oldest of four children.
We know all about the CRS and the Guardia Civil.
It’s pretty apparent that Mel-1 and myself live parallel lives. When we found out that we had both delivered very important mix tapes to people within one month of each other, we were like “Oh, word?” So in celebration of our efforts, we’ve decided to dissect and discuss each other’s mixes in a joint blog entry. Run on over to Melissa's blog, Public Witness Program, to read her thoughts on my mix.
...now, without further ado, an analysis of "Use With Caution" (May 2008)
Name of Mix: “Use with Caution”
Author: Melissa B. Friedman aka Mel-1
Nature of Origin: “Trying to impress someone. Cool, I know...”
Length: “56 minutes and some odd seconds if I remember correctly”
Most difficult challenge during compilation:
“It was hard for me to decide on the general mood I wanted to convey. I also had some difficulty in deciding the order of the last few songs. I felt like the mix CD turned into Lost in Translation Part II thus I tried hard to avoid duplicating an oeuvre that more or less already exists.”
Two favorite tracks:
“Tout n'est pas si facile” -NTM
“Windowlicker (demo)” - Aphex Twin
Full Tracklisting:
1. Machine Gun - Portishead
2. 5:55 (The Black Ghosts Remix) - Charlotte Gainsbourg
3. The Guns of Brixton - The Clash
4. Tout n'est pas si facile - NTM
5. Requiem pour un con - Serge Gainsbourg
6. Sexual Sportswear - Sebastian Tellier
7. Windowlicker (Original Demo) - Aphex Twin
8. Knife - Grizzly Bear
9. Sometimes - My Bloody Valentine
10. Ceremony (New Order cover) - Radiohead
11. After Class - Deer Hunter
12. Just Like Honey - The Jesus & Mary Chain
Colonel K's thoughts:
As long as I’ve known her, Melissa’s always had the most amazing taste in music. From her collection of obnoxious punk 7-inches back in high school (e.g. “John Wayne Was a Nazi” by MDC) to her more recent appreciation of all things French, it’s always been “class” with Mel-1. So when she told me was trying to impress someone, I just shrugged my shoulders and said “Well that shouldn’t be too difficult.” But I quickly realized that it was flippant for me to say that. Apparently the girl was really breaking a sweat over making this mix flow just right. The night before it was due, I received a frantic text that read “Should I put Fugazi on this Mix? I’m being so neurotic about impressing him.”
Having only seen the tracklisting, I can already tell that this compilation is dope. The main reason is the leadoff song, Portishead’s “Machine Gun.” I’d wanted to put this on a mix I made a few weeks ago, but I ended up cutting it because it was too jarring. I also like the fact that the first half of this mix is so menacing. The aforementioned “Machine Gun”, “Guns of Brixton”, and “Requiem Pour Un Con”, all these songs are badass.
The second half, on the other hand, is much more ethereal and kinda sweet. The sorta stuff that you’d want to listen to on a cloudy spring afternoon. And yes, I know that “Sometimes” and “Just Like Honey” were used poignantly in Lost in Translation. But just because a song was used in a Sophia Coppolla movie doesn’t make it any less beautiful.
Oh, word. Bonus points for including the demo version of “Windowlicker” and Radiohead’s cover of “Ceremony”: as much as I enjoy the originals, it shows a lot more depth to use a really good cover OR an alternate version of a well known track.
If I were the guy who received this CD, I’d probably be speechless. I mean, yeah, there are plenty of real chill girls who like good music. But it takes just as much thoughtfulness and talent to take those songs and sequence them.
Monday, May 12, 2008
"Rain Down, Rain Down": Radiohead at Nissan Pavilion. May 11th 2008
I’d become so accustomed to standing up in mud that every step on a solid surface sent a jarring shock to my ankles and knees.
The previous sentence was not lifted from an account of trench warfare during World War I. This was a description from last night’s Radiohead concert at Nissan Pavilion.
When I looked at the weather forecast, I knew that there was going to be rain. What I didn’t realize was that it was going to be a non-stop torrential downpour. Within minutes of handing in my ticket, I was soaked to the bone. My shoes were waterlogged, my thermal undershirt soggy, and my Lacoste rain jacket useless. When Liars took the stage at approximately 7:30pm, the rain had let up slightly, but a massive chill had come over my body. I was shivering so hard, I had to bite my tongue to keep my teeth from chattering.
When Thom Yorke and company finally took to the stage, I felt a tremendous sigh of relief. Not to say that Liars were no good. (On the contrary, they put up a pretty decent show, given the size of the crowd. Moreover, I loved their pre-show music. I believe it was North African, perhaps downloaded from Awesome Tapes from Africa?). But alas, I digress; I was here to see how Radiohead would pull off their songs live. I’ve been listening to this band since high school, and I’ve welcomed each new sonic direction they’ve taken. Seeing them live, however, has always proved elusive. Either I couldn’t get tickets or I was in the wrong place at the wrong time. But listening to countless bootlegs and watching Grant Gee’s Meeting People is Easy, I knew that one day it would be totally worth it. And, if you ignore all the drama I described above, it was. Visually, this was one of the most well thought out shows I’d seen in a very long time. Even from the edge of the lawn, I could see the beautiful details of the hanging lights and video screens. As per the band’s performance. they were tremendous. They cherry picked songs from every album since The Bends and played the fuck out of them. When I concentrated hard enough, I actually forgot that I had lost nearly all feeling in my right foot.
SET LIST (Thanks to Chip from Brightest Young Things)
All I Need
Jigsaw Falling Into Place
Lucky
15 Step
Nude
Pyramid Song
Weird Fishes/Arpeggi
Myxomatosis
Idioteque
Faust Arp
Videotape
Paranoid Android
Just
Reckoner
Everything In Its Right Place
Bangers + Mash
Bodysnatchers
ENCORES:
Like Spinning Plates
Optimistic
Karma Police (This is when we left)
Go Slowly
Planet Telex
—-
Fake Plastic Trees
The National Anthem
House of Cards
When I finally got into the car and took off my soaked shirt. I was relieved, sort of. It would be nearly an hour before we left the Nissan parking lot, but at least we had HEAT. My experience certainly doesn’t make me think any less of Radiohead. But I will probably never attend another outdoor, festival style concert again. And my heart goes out to all the people who a) sat in traffic even longer than I did and b) those who didn’t even make it to the show due to washed out roads and horrendous traffic.
The previous sentence was not lifted from an account of trench warfare during World War I. This was a description from last night’s Radiohead concert at Nissan Pavilion.
When I looked at the weather forecast, I knew that there was going to be rain. What I didn’t realize was that it was going to be a non-stop torrential downpour. Within minutes of handing in my ticket, I was soaked to the bone. My shoes were waterlogged, my thermal undershirt soggy, and my Lacoste rain jacket useless. When Liars took the stage at approximately 7:30pm, the rain had let up slightly, but a massive chill had come over my body. I was shivering so hard, I had to bite my tongue to keep my teeth from chattering.
When Thom Yorke and company finally took to the stage, I felt a tremendous sigh of relief. Not to say that Liars were no good. (On the contrary, they put up a pretty decent show, given the size of the crowd. Moreover, I loved their pre-show music. I believe it was North African, perhaps downloaded from Awesome Tapes from Africa?). But alas, I digress; I was here to see how Radiohead would pull off their songs live. I’ve been listening to this band since high school, and I’ve welcomed each new sonic direction they’ve taken. Seeing them live, however, has always proved elusive. Either I couldn’t get tickets or I was in the wrong place at the wrong time. But listening to countless bootlegs and watching Grant Gee’s Meeting People is Easy, I knew that one day it would be totally worth it. And, if you ignore all the drama I described above, it was. Visually, this was one of the most well thought out shows I’d seen in a very long time. Even from the edge of the lawn, I could see the beautiful details of the hanging lights and video screens. As per the band’s performance. they were tremendous. They cherry picked songs from every album since The Bends and played the fuck out of them. When I concentrated hard enough, I actually forgot that I had lost nearly all feeling in my right foot.
SET LIST (Thanks to Chip from Brightest Young Things)
All I Need
Jigsaw Falling Into Place
Lucky
15 Step
Nude
Pyramid Song
Weird Fishes/Arpeggi
Myxomatosis
Idioteque
Faust Arp
Videotape
Paranoid Android
Just
Reckoner
Everything In Its Right Place
Bangers + Mash
Bodysnatchers
ENCORES:
Like Spinning Plates
Optimistic
Karma Police (This is when we left)
Go Slowly
Planet Telex
—-
Fake Plastic Trees
The National Anthem
House of Cards
When I finally got into the car and took off my soaked shirt. I was relieved, sort of. It would be nearly an hour before we left the Nissan parking lot, but at least we had HEAT. My experience certainly doesn’t make me think any less of Radiohead. But I will probably never attend another outdoor, festival style concert again. And my heart goes out to all the people who a) sat in traffic even longer than I did and b) those who didn’t even make it to the show due to washed out roads and horrendous traffic.
Friday, May 9, 2008
Guest List by Colonel K
While I no longer read Pitchfork for the reviews, I still read it every morning to catch up on industry gossip and read the interviews. Since the essay I had planned for this week is not yet ready, I decided to poach some questions from Pitchfork’s “Guest List” and interview, um, myself.
>> Favorite Songs of the Past Year
Kanye West “Flashing Lights”
I lost interest in Mr. West after Late Registration. I dunno, perhaps I grew tired of his incessant bragging and public temper tantrums. But personal criticisms aside, this is one of the standout tracks on Graduation. The video is hot, too.
Portishead “Machine Gun”
I know Portishead were working on “Third” for a really long time, but upon listening to a pre-release copy, I can see why they were under so much pressure. How do you beat “Dummy” and “Portishead”? I know a few people who are pretty disappointed with “Third,” but I think it’s wonderful reinvention of the group's sound. It's still depressing, but I like that they're using much more jarring
Chromatics “Hands in the Dark”
When I first heard “Hands In the Dark” in my friend Scott’s car, I asked what year it was released. To my surprise, he said “2007.” It’s one of the most beautiful and haunting dance songs I’ve heard in a while. It’s perfect for night drives, too.
>> Favorite Older Songs at the Moment
The Gist “Love at First Sight”
Not to be confused with the DC band, Gist. This was Stuart Moxham’s solo project after Young Marble Giants broke up in 1981. It reminds of the grey and dingy RER stations outside of Paris. And the synth line does sorta remind me of that weird deer in headlights look when you first make eye contact with someone you're attracted to.
Blur “You’re So Great” and “Death of a Party”
These songs are back to back on 1997’s “Blur,” and I really like them because they both deal with reexamining your personal and social life, respectively. “You’re So great” is Graham Coxon lamenting his alcoholism while proclaiming his love for an unknown person. “Death of Party” is Damon Albarn shrugging off Britpop as a lame party that no one should’ve attended in the first place.
>> Favorite Song Ever
“Loaded” by Primal Scream.
I think I was at a Britpop dance night when I first heard this over a full PA system.
It always reminds me of really amazing nights out.
“Red Sleeping Beauty” by McCarthy
First time I heard this song was sophomore year of college. I was so blown away by the intro, that I asked my friend to play it 2 more times.
>> Best Recent Concert
Ghostland Observatory at the 9:30 Club.
This show was so over the top, that I had no excuse to not enjoy myself. Strobe lights, smoke machines, lasers. The works.
>> Favorite New Band
Ringo Deathstarr. Ra Ra Rasputin opened for them back in February, and I was really impressed on two counts. First, their equipment and guitar tones. Second, the songs were all really good.
I tend to be dismissive of most shoegaze revival groups, but these guys had “it.” I ended up changing my listening habits because of them. I started listening to My Bloody Valentine and Ride again; something I hadn’t done in about a year and a half.
>> Last Great Film I Saw
Control by Anton Corbijn. Every shot in that movie is flawless. He did a fine job making the transition from music videos to the big screen.
>> Last Great Book I Read
The last book I really enjoyed was “The Diving Bell and the Butterfly.” The story was so moving, and the descriptions were so vivid. It’s incredible that the author was able to transmit all that information simply by blinking one eye. Then again he had no other choice. I’ve also been working my way through George Orwell’s “Homage to Catalonia.”
>> Favorite Piece of Musical Equipment
My Rickenbacker 360. I’d wanted a Ric for years, and during the summer after Freshman year of College, I got a job that paid really, really well. I found one for a reasonable price, and it’s been my main guitar ever since.
>> Favorite Record Shop
There are actually a lot of really good record stores in Washington DC, and they’re all located within walking distance of one another. But the one I spend the most time in is Red Onion Records & Books. I got two records that I never thought I’d see: David Bowie “Heroes/Heroes/Helden” 12” (with French, English and German versions of his 1977 classic) and the US version of Teardrop Explodes “Kilimanjaro.”
>> Best Purchases of the Past Year
1. A pair of Sperry Top Sider Boat shoes
2. A Univox 335 Custom Copy 12-string electric guitar.
The Sperrys are the most comfortable and versatile pair of shoes I own. It’s so great not having to wear socks. The only hang up is that I have to moisturize my feet so that they don’t look ashy.
The 12-string electric was something I picked up simply because it was a very good deal ($300 vs $1200+ for a Rickenbacker 12-string). It's taken some time to really get that "jingle-jangle" sound, but it's worth it.
>> Best Thing I Did This Year
Move myself to the top of my list of my priority list.
>> Favorite Venue
Black Cat. It’s close by and I’ve seen more good shows there than at any other venue I’ve frequented in the last eight years.
>> Favorite TV Show at the Moment
Well, since The Wire ended, I have no reason to watch TV anymore.
>> Favorite Video Game at the Moment
I was never into video games. We never had them when I was younger. I still can’t be bothered to play them.
>> Favorite Radio Show
I don’t listen to the radio anymore. Even though I have an AM/FM receiver, I never use it. It’s a real shame, you know?
>> My Ringtone
Beep once, then vibrate. A phone is just that, a phone.
>> Favorite Songs of the Past Year
Kanye West “Flashing Lights”
I lost interest in Mr. West after Late Registration. I dunno, perhaps I grew tired of his incessant bragging and public temper tantrums. But personal criticisms aside, this is one of the standout tracks on Graduation. The video is hot, too.
Portishead “Machine Gun”
I know Portishead were working on “Third” for a really long time, but upon listening to a pre-release copy, I can see why they were under so much pressure. How do you beat “Dummy” and “Portishead”? I know a few people who are pretty disappointed with “Third,” but I think it’s wonderful reinvention of the group's sound. It's still depressing, but I like that they're using much more jarring
Chromatics “Hands in the Dark”
When I first heard “Hands In the Dark” in my friend Scott’s car, I asked what year it was released. To my surprise, he said “2007.” It’s one of the most beautiful and haunting dance songs I’ve heard in a while. It’s perfect for night drives, too.
>> Favorite Older Songs at the Moment
The Gist “Love at First Sight”
Not to be confused with the DC band, Gist. This was Stuart Moxham’s solo project after Young Marble Giants broke up in 1981. It reminds of the grey and dingy RER stations outside of Paris. And the synth line does sorta remind me of that weird deer in headlights look when you first make eye contact with someone you're attracted to.
Blur “You’re So Great” and “Death of a Party”
These songs are back to back on 1997’s “Blur,” and I really like them because they both deal with reexamining your personal and social life, respectively. “You’re So great” is Graham Coxon lamenting his alcoholism while proclaiming his love for an unknown person. “Death of Party” is Damon Albarn shrugging off Britpop as a lame party that no one should’ve attended in the first place.
>> Favorite Song Ever
“Loaded” by Primal Scream.
I think I was at a Britpop dance night when I first heard this over a full PA system.
It always reminds me of really amazing nights out.
“Red Sleeping Beauty” by McCarthy
First time I heard this song was sophomore year of college. I was so blown away by the intro, that I asked my friend to play it 2 more times.
>> Best Recent Concert
Ghostland Observatory at the 9:30 Club.
This show was so over the top, that I had no excuse to not enjoy myself. Strobe lights, smoke machines, lasers. The works.
>> Favorite New Band
Ringo Deathstarr. Ra Ra Rasputin opened for them back in February, and I was really impressed on two counts. First, their equipment and guitar tones. Second, the songs were all really good.
I tend to be dismissive of most shoegaze revival groups, but these guys had “it.” I ended up changing my listening habits because of them. I started listening to My Bloody Valentine and Ride again; something I hadn’t done in about a year and a half.
>> Last Great Film I Saw
Control by Anton Corbijn. Every shot in that movie is flawless. He did a fine job making the transition from music videos to the big screen.
>> Last Great Book I Read
The last book I really enjoyed was “The Diving Bell and the Butterfly.” The story was so moving, and the descriptions were so vivid. It’s incredible that the author was able to transmit all that information simply by blinking one eye. Then again he had no other choice. I’ve also been working my way through George Orwell’s “Homage to Catalonia.”
>> Favorite Piece of Musical Equipment
My Rickenbacker 360. I’d wanted a Ric for years, and during the summer after Freshman year of College, I got a job that paid really, really well. I found one for a reasonable price, and it’s been my main guitar ever since.
>> Favorite Record Shop
There are actually a lot of really good record stores in Washington DC, and they’re all located within walking distance of one another. But the one I spend the most time in is Red Onion Records & Books. I got two records that I never thought I’d see: David Bowie “Heroes/Heroes/Helden” 12” (with French, English and German versions of his 1977 classic) and the US version of Teardrop Explodes “Kilimanjaro.”
>> Best Purchases of the Past Year
1. A pair of Sperry Top Sider Boat shoes
2. A Univox 335 Custom Copy 12-string electric guitar.
The Sperrys are the most comfortable and versatile pair of shoes I own. It’s so great not having to wear socks. The only hang up is that I have to moisturize my feet so that they don’t look ashy.
The 12-string electric was something I picked up simply because it was a very good deal ($300 vs $1200+ for a Rickenbacker 12-string). It's taken some time to really get that "jingle-jangle" sound, but it's worth it.
>> Best Thing I Did This Year
Move myself to the top of my list of my priority list.
>> Favorite Venue
Black Cat. It’s close by and I’ve seen more good shows there than at any other venue I’ve frequented in the last eight years.
>> Favorite TV Show at the Moment
Well, since The Wire ended, I have no reason to watch TV anymore.
>> Favorite Video Game at the Moment
I was never into video games. We never had them when I was younger. I still can’t be bothered to play them.
>> Favorite Radio Show
I don’t listen to the radio anymore. Even though I have an AM/FM receiver, I never use it. It’s a real shame, you know?
>> My Ringtone
Beep once, then vibrate. A phone is just that, a phone.
Monday, February 25, 2008
The Colonel's Orders....WEEK of 2/25/08 TWO EVENTS, NO COVER
...because Friday is a long ways away.
WEDNESDAY 2/27
Ringo Deathstarr
with
Ra Ra Rasputin
830 PM
Wonderland. 11th and Kenyon NW
Metro Columbia Heights
21+
THURSDAY 2/28
Question. How many people have remixed music by my solo project, the Norm and the Shake.
Answer: Two. Come see one of them spin @ St. Ex in DC.
WEDNESDAY 2/27
Ringo Deathstarr
with
Ra Ra Rasputin
830 PM
Wonderland. 11th and Kenyon NW
Metro Columbia Heights
21+
THURSDAY 2/28
Question. How many people have remixed music by my solo project, the Norm and the Shake.
Answer: Two. Come see one of them spin @ St. Ex in DC.
Wednesday, February 20, 2008
HEY!!!!! I want my money back: The worst, the most boring, most disappointing shows I’ve ever attended
I curse the fact that I was not allowed to go to big concerts when I was younger. Sure I got to go to a bunch of local shows, but never anything memorable. Hell, I remember when all my friends in junior high went to the No Doubt, Shelter and Unwritten Law show at Rockland Community College. Sure I didn’t like any of those groups (still don’t) but I really felt left out. To make matters worse, by the time I was allowed to start hanging out in Manhattan and Brooklyn, most of the amazing venues, like Coney Island High and Wetlands, were being shut down.
Thankfully, my concert-going habits changed when I arrived at University of Maryland, College Park in fall of 2000. Since then, I’ve kept a detailed list of every show I've attended. And while there were some groups whose performances changed the way I think about music (Q and Not U, Joe Strummer, British Sea Power), there have been quite a few that have left me feeling disappointed.
DISCLAIMER: Please do not take offense to the strong opinions that you will read below. They are merely a reflection of what I was feeling at the time.
December 22nd 2000
Shopping Cart Catastrophes, PF 113,DDF, Lanemeyer and others
American Legion Hall,
Norwood, NJ
My first semester at U-Md proved to be incredibly eye opening. I was brimming with new musical ideas, and I was really looking to move away from the punk and hardcore that had come to define my last year and a half of high school.
But attending this show at the Norwood Legion Hall felt like a huge step backwards.
Shopping Cart Catastrophes started out as a fun, catchy pop-punk band that reminded me of the Descendents or the Queers. But at this show, they were very self-consciously trying to become a “serious and articulate” emo band. In other words; a Rockland County version of Jets to Brazil. Man, I thought it was dreadful; a total betrayal of everything they stood for. I understood their desire to change their sound, but the lyrics were just sounded trite and they just weren’t the same group anymore.*
PF 113 and Lanemeyer? I wrote them off instantly because of their names. DDF, well those guys were part of the Nyack scene, so I sorta had to give them a chance. And while I wasn’t the biggest fan of the studs and Mohawks, I thought they sounded ok. However, I took issue with the fact that they had a song called “1977.” Come on guys, I don't care how young you were. You just don’t write a song with the same title as one of the best Clash b-sides ever.
*They also fired their tall and quirky guitarist, Kevin. Me and my crew always liked him. He was the joker of the group.
**(NOTE: Allegedly, this legion hall stopped holding shows cuz some punk kid took a shit in a cup and hid it behind the bar. Upon hearing about this, one angry old Vet grumbled something along the lines of “I can’t believe we went to war against the Nazis for the sake of you people.”)
July 6th 2001
Stinkfest 2: Shabutie, Salty Black Flour
The Fire House
West Nyack, NY
Shabutie, now known as Coheed and Cambria, were considered to be one the best bands in Rockland County. And I fucking hated them with a passion. I loathed everything about them: Claudio’s ridiculous falsetto, the band’s self-indulgent muso tendencies. I could go on for days. But most of all, I despised the fact that their sound was becoming so influential. It was around this time that the Nyack scene was becoming obsessed with their style of playing and singing. In my opinion, it set everybody back a couple of years. Moreover, people who booked shows would only hire bands that sounded or looked like them, effectively leaving everyone else out in the wilderness. It was at this show that I realized that it was going to be an uphill battle to try and get any sort of scene love for my group, Scam. I suppose I was just jealous...
March 29th 2002
Fanshen, Insults, Youth Crüe, Project Mayhem (NJ),Black November
Rutgers Univ. @ Livingston Campus Quad 1 Dorms Main Lounge
Piscataway, NJ
On this particularly warm March evening, I decided to take a trip with my good friend (and sometimes bandmate) Kevin Rankin. At the time he was in a group called Project Mayhem and we were both curious to see whether the New Jersey band with the same name was any good.
Turns up they weren’t. In fact, every band on the bill played a rather tuneless variety of hardcore. I seem to recall a group that featured two linebacker-sized lead "singers" who made it a point to show off their meathead tendencies by slamming into each other during their entire set.This was easily one of the most pointless shows I’ve ever attended: All aggression and no talent. In retrospect, we probably should've spent the evening at a diner somewhere.
April 23rd 2004
Blonde Redhead, with Secret Machines
Black Cat, Washington DC
This was the show where I realized that I was no longer liked Blonde Redhead. From the winter of 2001 to spring 2004, I was crazy about them. Man, I used to spend hours digging up information about their equipment and trying to figure out what sort of tunings they used.
Now here’s a lesson for all you live music fans: try to avoid concerts that are scheduled towards the end of a band’s tour, for most musicians are physically and emotionally drained by the time their final dates roll around. I learned that the hard way at this show. (April 23rd was the last date on Blonde Redhead's lengthy US tour).
I had really liked "Misery Is a Butterfly" (their first record for 4AD) but hearing it played live didn’t sit well with me. Kazu, Amadeo and Simon looked bored and detached when performing. As a result, the new material suffered. Where was the sexy and exotic aggression from "La Via Vita Violenta" and "Fake Can Be Just As Good"? Since then, I haven't bothered to see them play live or buy any of their records.
In retrospect, this experience reminds me of the time I had a crush on this girl. Then I found out that she was fucking around with this dude in a band I hated, and I was over her. And to make things even more awkward, I had to work with that dude for an entire summer. Homeboy told me some wild stories.
July 15th 2004
The Unicorns, Erase Errata, Moving Units, Weird War, Les Georges Leningrad, Blood on The Wall.
Some warehouse, Williamsburg, Brooklyn NYC
During the summer after graduation, I was living at my parents’ house and working a crappy data-entry job in order to save money for my upcoming trip to France. A lot of my spare time was spent working on music with friends, going to lame parties and getting into all sorts of funny shit (e.g. The Jewish Deli incident at NYU Alumni hall).
My friend Jerry and I heard about the show through MySpace and made it a point to attend for three reasons: hipster girls, "free Red Stripe (till it runs out)" and the Unicorns. We left the 'burbs at a reasonable hour, flew down I-87, transferred to I-278, found a tight parking space and bee-lined it to the warehouse only to find a line going around the fucking block. And while it was 730 PM, it was still 90 degrees outside.
When we got inside nearly an hour and a half later, we found that all the free beer was gone. After duly purchasing a few cans of Brooklyn Lager, we made our way to the stage, where Moving Units were struggling to keep the audience interested. The acoustics in the cavernous main room were terrible, and the band knew it. Every instrument sounded like mush. To make matters worse, the Unicorns wouldn’t be on till at least 2:00 AM.
We attempted to make good of the situation by hanging out in an adjacent room where a DJ was spinning garage and post-punk. We made some idle chatter with a couple of girls I knew, drank a few more beers, and finally decided that the whole shindig was not worth our time. We went home in the middle of Weird War's set.
October 27th 2005
Swollen Members, opening up for Ghostface Killah
Sonar
Baltimore, MD
(From Wikipedia)
Swollen Members is a Canadian hip-hop group hailing from Vancouver, British Columbia, consisting principally of the duo Mad Child and Prevail. They have been called "two of the most innovative people in hip-hop".
TRANSLATION: PROOF THAT YOU SHOULD NEVER CITE WIKIPEDIA IN YOUR RESEARCH!
You see, Swollen Members are loosely affiliated with the Red Dragons skate/snowboard crew from Vancouver Canada. For those of you who are unfamiliar, the Red Dragons gained notoriety in the Skate and Snowboard world during the 1990s for their hard drinking, hard partying ways, much of which was documented in the Whiskey video series. But history aside, Swollen Members is responsible for some of the most unimaginative and unbelievably awful music ever put to tape. Oh, and they have ZERO street cred.
These guys didn’t last more than twenty minutes***. We were booing and hissing throughout their entire set. Some of the harder dudes in the crowd decided to toss around their skater-brah fans. It’s probably a good thing that Swollen Members didn’t try to stay on longer than they did, otherwise a riot would’ve broken out.
***And according to my people in New York, Swollen Members barely made it through two songs before being booed offstage at Hammerstein Ballroom.
Thankfully, my concert-going habits changed when I arrived at University of Maryland, College Park in fall of 2000. Since then, I’ve kept a detailed list of every show I've attended. And while there were some groups whose performances changed the way I think about music (Q and Not U, Joe Strummer, British Sea Power), there have been quite a few that have left me feeling disappointed.
DISCLAIMER: Please do not take offense to the strong opinions that you will read below. They are merely a reflection of what I was feeling at the time.
December 22nd 2000
Shopping Cart Catastrophes, PF 113,DDF, Lanemeyer and others
American Legion Hall,
Norwood, NJ
My first semester at U-Md proved to be incredibly eye opening. I was brimming with new musical ideas, and I was really looking to move away from the punk and hardcore that had come to define my last year and a half of high school.
But attending this show at the Norwood Legion Hall felt like a huge step backwards.
Shopping Cart Catastrophes started out as a fun, catchy pop-punk band that reminded me of the Descendents or the Queers. But at this show, they were very self-consciously trying to become a “serious and articulate” emo band. In other words; a Rockland County version of Jets to Brazil. Man, I thought it was dreadful; a total betrayal of everything they stood for. I understood their desire to change their sound, but the lyrics were just sounded trite and they just weren’t the same group anymore.*
PF 113 and Lanemeyer? I wrote them off instantly because of their names. DDF, well those guys were part of the Nyack scene, so I sorta had to give them a chance. And while I wasn’t the biggest fan of the studs and Mohawks, I thought they sounded ok. However, I took issue with the fact that they had a song called “1977.” Come on guys, I don't care how young you were. You just don’t write a song with the same title as one of the best Clash b-sides ever.
*They also fired their tall and quirky guitarist, Kevin. Me and my crew always liked him. He was the joker of the group.
**(NOTE: Allegedly, this legion hall stopped holding shows cuz some punk kid took a shit in a cup and hid it behind the bar. Upon hearing about this, one angry old Vet grumbled something along the lines of “I can’t believe we went to war against the Nazis for the sake of you people.”)
July 6th 2001
Stinkfest 2: Shabutie, Salty Black Flour
The Fire House
West Nyack, NY
Shabutie, now known as Coheed and Cambria, were considered to be one the best bands in Rockland County. And I fucking hated them with a passion. I loathed everything about them: Claudio’s ridiculous falsetto, the band’s self-indulgent muso tendencies. I could go on for days. But most of all, I despised the fact that their sound was becoming so influential. It was around this time that the Nyack scene was becoming obsessed with their style of playing and singing. In my opinion, it set everybody back a couple of years. Moreover, people who booked shows would only hire bands that sounded or looked like them, effectively leaving everyone else out in the wilderness. It was at this show that I realized that it was going to be an uphill battle to try and get any sort of scene love for my group, Scam. I suppose I was just jealous...
March 29th 2002
Fanshen, Insults, Youth Crüe, Project Mayhem (NJ),Black November
Rutgers Univ. @ Livingston Campus Quad 1 Dorms Main Lounge
Piscataway, NJ
On this particularly warm March evening, I decided to take a trip with my good friend (and sometimes bandmate) Kevin Rankin. At the time he was in a group called Project Mayhem and we were both curious to see whether the New Jersey band with the same name was any good.
Turns up they weren’t. In fact, every band on the bill played a rather tuneless variety of hardcore. I seem to recall a group that featured two linebacker-sized lead "singers" who made it a point to show off their meathead tendencies by slamming into each other during their entire set.This was easily one of the most pointless shows I’ve ever attended: All aggression and no talent. In retrospect, we probably should've spent the evening at a diner somewhere.
April 23rd 2004
Blonde Redhead, with Secret Machines
Black Cat, Washington DC
This was the show where I realized that I was no longer liked Blonde Redhead. From the winter of 2001 to spring 2004, I was crazy about them. Man, I used to spend hours digging up information about their equipment and trying to figure out what sort of tunings they used.
Now here’s a lesson for all you live music fans: try to avoid concerts that are scheduled towards the end of a band’s tour, for most musicians are physically and emotionally drained by the time their final dates roll around. I learned that the hard way at this show. (April 23rd was the last date on Blonde Redhead's lengthy US tour).
I had really liked "Misery Is a Butterfly" (their first record for 4AD) but hearing it played live didn’t sit well with me. Kazu, Amadeo and Simon looked bored and detached when performing. As a result, the new material suffered. Where was the sexy and exotic aggression from "La Via Vita Violenta" and "Fake Can Be Just As Good"? Since then, I haven't bothered to see them play live or buy any of their records.
In retrospect, this experience reminds me of the time I had a crush on this girl. Then I found out that she was fucking around with this dude in a band I hated, and I was over her. And to make things even more awkward, I had to work with that dude for an entire summer. Homeboy told me some wild stories.
July 15th 2004
The Unicorns, Erase Errata, Moving Units, Weird War, Les Georges Leningrad, Blood on The Wall.
Some warehouse, Williamsburg, Brooklyn NYC
During the summer after graduation, I was living at my parents’ house and working a crappy data-entry job in order to save money for my upcoming trip to France. A lot of my spare time was spent working on music with friends, going to lame parties and getting into all sorts of funny shit (e.g. The Jewish Deli incident at NYU Alumni hall).
My friend Jerry and I heard about the show through MySpace and made it a point to attend for three reasons: hipster girls, "free Red Stripe (till it runs out)" and the Unicorns. We left the 'burbs at a reasonable hour, flew down I-87, transferred to I-278, found a tight parking space and bee-lined it to the warehouse only to find a line going around the fucking block. And while it was 730 PM, it was still 90 degrees outside.
When we got inside nearly an hour and a half later, we found that all the free beer was gone. After duly purchasing a few cans of Brooklyn Lager, we made our way to the stage, where Moving Units were struggling to keep the audience interested. The acoustics in the cavernous main room were terrible, and the band knew it. Every instrument sounded like mush. To make matters worse, the Unicorns wouldn’t be on till at least 2:00 AM.
We attempted to make good of the situation by hanging out in an adjacent room where a DJ was spinning garage and post-punk. We made some idle chatter with a couple of girls I knew, drank a few more beers, and finally decided that the whole shindig was not worth our time. We went home in the middle of Weird War's set.
October 27th 2005
Swollen Members, opening up for Ghostface Killah
Sonar
Baltimore, MD
(From Wikipedia)
Swollen Members is a Canadian hip-hop group hailing from Vancouver, British Columbia, consisting principally of the duo Mad Child and Prevail. They have been called "two of the most innovative people in hip-hop".
TRANSLATION: PROOF THAT YOU SHOULD NEVER CITE WIKIPEDIA IN YOUR RESEARCH!
You see, Swollen Members are loosely affiliated with the Red Dragons skate/snowboard crew from Vancouver Canada. For those of you who are unfamiliar, the Red Dragons gained notoriety in the Skate and Snowboard world during the 1990s for their hard drinking, hard partying ways, much of which was documented in the Whiskey video series. But history aside, Swollen Members is responsible for some of the most unimaginative and unbelievably awful music ever put to tape. Oh, and they have ZERO street cred.
These guys didn’t last more than twenty minutes***. We were booing and hissing throughout their entire set. Some of the harder dudes in the crowd decided to toss around their skater-brah fans. It’s probably a good thing that Swollen Members didn’t try to stay on longer than they did, otherwise a riot would’ve broken out.
***And according to my people in New York, Swollen Members barely made it through two songs before being booed offstage at Hammerstein Ballroom.
Thursday, February 7, 2008
In Defense of the Nano: Why Less is more with Apple’s I-Pod
The problem with modern society is that we’re constantly being pressured into buying bigger and better versions of things we already own. But upon closer inspection we often find that we’re being duped into purchasing an inferior or unnecessary product.
Nowhere is this trend more evident than with the ubiquitous little box that has changed, for better or for worse, the way that we listen to music: The I-Pod.
The Saga Begins:
My first I-Pod was a 4th generation model with a 40 gig hard drive. Initially, I was thrilled to have portable access to such a large amount of music. But the technical flaws soon came to outweigh the benefits. Every now and again, the thing would just stop working or inexplicably refuse to connect to my laptop. And over time, I began to realize that I had more music than I could ever hope to fit on it.
Eventually, my I-Pod died at the end. Thankfully I was able to replace it without paying a cent because the warranty didn't expire for another two weeks. But four months later, the replacement inexplicably died as well. And to make matters worse, this was a few days before I went on vacation !!! I shook my head and cursed myself as I hiked out to the Apple Store in Bethesda, MD do the inevitable to purchase a brand new 30 gig.
(Ed. Note Unsurprisingly, the 30 joint started showing signs of early retirement this past December. It was then that I decided to start doing some research)
On the Technical Tip:
In case you didn’t already know, the larger I-Pods (20GB+) are nothing more than portable hard drives with a little view screen and a click wheel. If you listen carefully, you can hear them whirring, and huffing and puffing; making the same noises that your computer might make when it’s unhappy. And while a larger hard drive means that you can carry more music with you, it also has its drawbacks. As the folks at MacIntouch.Com pointed out:
“Carrying around a device powered by a delicate spinning drive does seem like a recipe for disaster”.
That's right ! Hard drives are sensitive to pretty much everything. Heat, cold, sweat, water, soda, you name it; your hard drive will probably hate being exposed to it. And while the folks at Apple designed this world class mp3 player with the active user in mind, the average I-Pod owner probably forgets that they’re dealing with a piece of sensitive electronic equipment.
Thankfully, Apple has offered more durable alternatives for several years. The Shuffles (1GB) and Nanos (1,2,4,and 8GBs) are both based on flash technology.Because flash drives do not contain any moving parts, and are therefore less sensitive to being jostled because there is no lag or whirring,they are much better suited for the average (and abusive) Joe or Jane.
In other words, I propose that we, as music fans, sacrifice our desire for “bigger, better, faster, more,” and settle for smaller models.
Oh, of course, some people will argue:
“ Well what if you wanna listen to a specific song and you don’t have it on your small mp3 player. Wouldn’t you find that to be a bit annoying?”
My response?
“No, not really. Besides, there are plenty of times when I wanna hear a song and don’t have it readily available. I’m used to that.It's not the end of the world, you know?”
Moreover, I believe that having a smaller mp3 player is more beneficial to both the casual listener and obsessive fan. The casual listener (read: most people who buy mp3 players) isn’t really that obsessive about how their music, and probably doesn’t need to have everything on hand. The serious music fan, on the other hand, probably has too much music (in various formats) to fit on one handy device.
Besides, having a smaller I-Pod ultimately means that you have to constantly cycle through your music. And in my opinion, this allows you to get better acquainted with your collection. I mean, come on. There's nothing more irritating than meeting people who boast about having 150 GBs worth of music and are unable to discuss any of it with any sense of depth or feeling because they have no attachment to it.
Nowhere is this trend more evident than with the ubiquitous little box that has changed, for better or for worse, the way that we listen to music: The I-Pod.
The Saga Begins:
My first I-Pod was a 4th generation model with a 40 gig hard drive. Initially, I was thrilled to have portable access to such a large amount of music. But the technical flaws soon came to outweigh the benefits. Every now and again, the thing would just stop working or inexplicably refuse to connect to my laptop. And over time, I began to realize that I had more music than I could ever hope to fit on it.
Eventually, my I-Pod died at the end. Thankfully I was able to replace it without paying a cent because the warranty didn't expire for another two weeks. But four months later, the replacement inexplicably died as well. And to make matters worse, this was a few days before I went on vacation !!! I shook my head and cursed myself as I hiked out to the Apple Store in Bethesda, MD do the inevitable to purchase a brand new 30 gig.
(Ed. Note Unsurprisingly, the 30 joint started showing signs of early retirement this past December. It was then that I decided to start doing some research)
On the Technical Tip:
In case you didn’t already know, the larger I-Pods (20GB+) are nothing more than portable hard drives with a little view screen and a click wheel. If you listen carefully, you can hear them whirring, and huffing and puffing; making the same noises that your computer might make when it’s unhappy. And while a larger hard drive means that you can carry more music with you, it also has its drawbacks. As the folks at MacIntouch.Com pointed out:
“Carrying around a device powered by a delicate spinning drive does seem like a recipe for disaster”.
That's right ! Hard drives are sensitive to pretty much everything. Heat, cold, sweat, water, soda, you name it; your hard drive will probably hate being exposed to it. And while the folks at Apple designed this world class mp3 player with the active user in mind, the average I-Pod owner probably forgets that they’re dealing with a piece of sensitive electronic equipment.
Thankfully, Apple has offered more durable alternatives for several years. The Shuffles (1GB) and Nanos (1,2,4,and 8GBs) are both based on flash technology.Because flash drives do not contain any moving parts, and are therefore less sensitive to being jostled because there is no lag or whirring,they are much better suited for the average (and abusive) Joe or Jane.
In other words, I propose that we, as music fans, sacrifice our desire for “bigger, better, faster, more,” and settle for smaller models.
Oh, of course, some people will argue:
“ Well what if you wanna listen to a specific song and you don’t have it on your small mp3 player. Wouldn’t you find that to be a bit annoying?”
My response?
“No, not really. Besides, there are plenty of times when I wanna hear a song and don’t have it readily available. I’m used to that.It's not the end of the world, you know?”
Moreover, I believe that having a smaller mp3 player is more beneficial to both the casual listener and obsessive fan. The casual listener (read: most people who buy mp3 players) isn’t really that obsessive about how their music, and probably doesn’t need to have everything on hand. The serious music fan, on the other hand, probably has too much music (in various formats) to fit on one handy device.
Besides, having a smaller I-Pod ultimately means that you have to constantly cycle through your music. And in my opinion, this allows you to get better acquainted with your collection. I mean, come on. There's nothing more irritating than meeting people who boast about having 150 GBs worth of music and are unable to discuss any of it with any sense of depth or feeling because they have no attachment to it.
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